2008年9月30日星期二

Day Blind



9月28号下午,依阳同学在深圳科美医院动了眼科手术.
即日起,开始当导盲犬小Z.
每天六次滴眼药水.
出门摸索着遛弯儿.
晒晒太阳.

......
很想买一块640G,单碟容量320G的大硬盘.从徐卓那里拷来一份EWQL Pro XP的管弦乐音色,却找不到更多的空间了.目前有1TB的大硬盘,但单碟容量小,碟数多,速度慢,散热也不好!
尽管我有主机硬盘640G,移动硬盘1720G,但居然会空间不够用......
因为:
1.我是音色收藏达人;
2.我是御宅男;
3.我是电影下载狂.
抽时间去买硬盘咯!!!
......
不想做东西.现在白天精神,晚上规矩的睡觉.实在不是做音乐搞编曲的最佳生活规律啊.
乏!
怎么办?
豆瓣!
No!
平静,平静!
多拍些照片,多玩些后制吧.

2008年9月29日星期一

西甲联赛第四轮第五轮,皇马保持着胜利!



本周四,进行了西甲的第四轮,当时并没有立即将战果补上.
皇马7:1战胜了希洪竞技,其中,范德法特完成帽子戏法,独进三元无可挑剔的进球,劳尔梅开二度,包括一记无与伦比的挑射,福将伊瓜因锦上添花,再下一城.遗憾的是,皇马也丢了一个很低级的球.

昨天,周日凌晨,皇马也打完了第五轮的比赛.因为下周三四是冠军杯联赛的原因,最近的比赛密度很大.
昨天的比分是2:1,皇马赢下了皇家贝蒂斯.比赛很艰难,开场不久,海因策就头球破门,但随后比赛陷入极度的沉闷状态,下半场,贝蒂斯获得一记点球,皇马的马赛洛在回防时失手将对方球员碰倒,被判点球和红牌罚下.比分变成1:1.然而在终场结束前的五分钟,范尼,这个周游了全场没有机会,却一直被舒斯特尔信任的球员,在罗本创造的一次反击机会下,直面贝蒂斯门将,将球打入死角.皇马赢得了客场宝贵的三分.
同时,我也看了紧接着进行的巴萨对西班牙人的同城德比,抱怨一下央视5的转播质量,幻灯片似的比赛画面.而巴萨似乎在攻占一个不可能攻陷的城池.西班牙人积极的防守让巴萨人整整全场都像一只鸽笼外的野猫,张牙舞爪却无计可施.比分一直维持在1:1,下半场还出现了球迷骚动,比赛因此中断了10分钟.最后,比赛往后顺延过了六点.央视却因为早间新闻而停止了转播.立即上网查询,巴萨居然最后获得了一记点球...戏剧性啊戏剧性.

对巴萨的哈维还是很欣赏的.不过他们的主帅瓜迪奥拉实在搞笑,上轮巴萨对皇家贝蒂斯的比赛,瓜迪奥拉翻着白眼瞪着上来拥抱他庆祝的埃托奥,似乎因为被对方惊吓住了,并弄乱了自己的西服而不爽,哈哈,真是娘娘腔!

范尼,依旧是好样的.90分钟的比赛,范尼永远只需要那么几秒钟,就可以改变一切.

劳尔,他和大家一样,默默的接受现实,但现实并不那么残酷,他还有自己的位置.而萨维奥拉,这只阿根廷来的小兔子,前景却那么迷茫...

2008年9月22日星期一

西甲联赛第三轮,皇马客场2:0小胜桑坦德竞技



凭借着伊瓜因助攻德拉雷德的一个推射进球,和范尼的一记巧妙的小角度远射,皇马不疼不痒的在客场拿下了桑坦德竞技.但皇马的对手 - 巴萨打得更加出色,他们在客场以6:1的悬殊比分轰炸了希洪竞技的球门,梅西独中两元.

巴萨真是可怕...

皇马的客场蓝色队服煞是好看...

Leica中文摄影杂志

『My Best Shot』我最棒的作品:Lise Sarfati

Posted: 21 Sep 2008 05:59 PM CDT

点击在新窗口中浏览此图片"当我们15岁时,每个人都开始想,我们将变成怎样的大人..." —— Lise Sarfati

我一直想捕捉到平常生活中不平常的瞬间。这张照片上的女孩名叫Sloane,住在加州奥克兰市,当时我正在拍摄一个名为"La Vie Nouvelle(The New Life)"的项目,拍摄对象是偏远小城市里正处于青春期的女孩们,我希望捕捉到她们最自然的神态——在家里、街巷、学校、便利店里....

Slone是我一个朋友的朋友,十五六岁的女孩,拍摄地点在她和母亲妹妹一起住的阁楼上,你可以看到,她背后有一道厚重的铁门,门的另一边是她的卧室——一个没有窗户的小房间,不过,她并没有因此而不开心,反而把自己的小天地布置得非常新潮。

我从不与我拍摄的任何一个女孩接触很久,以免任何不自然的瞬间出现。因此,我只是静静在一旁看Sloane做她自己的事情,等待我期待的瞬间出现。一台安静的旁轴相机,一支35mm镜头,在自然的光线下拍下这一瞬间。
http://www.leica.org.cn
我很好奇人们是如何看待自己的,当我们15岁时,每个人都开始想,我们将变成怎样的大人。当我第一次遇到Sloane时,她很害羞,戴着假发套,似乎已经开始构建一个新的自己,她很漂亮,但是却不满意自己的身材。她生活的空间非常具有戏剧性,她自己也坚信着自己对未来的希冀。

我很喜欢这张照片,因为它有一种特别的神秘感,多年以后,每当我重新审视这张照片,都会找到一些我当初并没有看到的细节和感触。

关于『Lise Sarfati

出生:奥兰市,阿尔及利亚,1958年
学历:自学
灵感:"影响我最多的是文字和书籍,摄影师则有Philip-Lorca diCorcia, Nan Goldin以及Cindy Sherman"
高潮:"拍摄La Vie Nouvelle(The New Life)系列的时期"
低谷:"在俄罗斯的10年,我一直在寻找最极端的环境与可能,虽然我喜欢这段疯狂的经历,但是这的确也是段沉闷低落的时期。"
最想拍的项目:"在日本继续拍摄La Vie Nouvelle(The New Life)"

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2008年9月21日星期日

Leica中文摄影杂志

『Time』一周摄影图片精选:Sep 12 - 18,2008

Posted: 20 Sep 2008 09:03 AM CDT

点击在新窗口中浏览此图片链接: 《Times》新闻摄影图片精选 http://leica.org.cn/tag.php?tag=%E6%96%B0%E9%97%BB%E6%91%84%E5%BD%B1

September 12-18

Tuesday, September 16, 2008
Sand Blast 摄影师:Tech Sgt Jerry Morrison
在巴格达的一次电视采访前,国防部长Robert Gates与一名记者寒暄,背后正刮着沙尘暴。
With a sandstorm blowing behind him, Defense Secretary Robert Gates greets a reporter on his way to a television interview at Camp Victory in Baghdad.

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Friday, September 12, 2008
Veiled 摄影师:Bernat Armangue / AP
一名巴勒斯坦女子在前往耶路撒冷Al Aqsa清真寺的路上。
A Palestinian woman makes her way to Jerusalem's Al Aqsa Mosque to pray during Ramadan.

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Wednesday, September 17, 2008
Golden Throne 摄影师:Diego Azubel / EPA
2008北京残奥会上参加闭幕式表演的演员。
Performers take part in the closing ceremonies for the 2008 Paralympic Games in Beijing.

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Sunday, September 14, 2008
Oil Slick 摄影师:Smiley N. Pool /
高岛上的一个抽水机,德克萨斯州在飓风后泄漏的原油与水所包围。
A pump jack in High Island, Texas is surrounded by oil and water after Hurricane Ike swept through the region.

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2008年9月20日星期六

Leica中文摄影杂志

『摄影展』ICP纽约国际摄影中心9月新展

Posted: 18 Sep 2008 06:13 PM CDT

点击在新窗口中浏览此图片纽约国际摄影中心(International Center of Photography)从9月19日开始将有4个新摄影展:

Susan Meiselas(苏珊·梅塞拉斯):In History
"In History"是Susan Meiselas作品在美国的第一次总体回顾展,这名女摄影师从上世纪70年代开始就成为纪实摄影领域最具影响力的摄影师之一,以一种非常尖锐和直接的方式重新定义了纪实摄影师与被拍摄者之间的关系,并在此后不断被评论家所引述论辩。

Cornell Capa(科内尔·卡帕): Concerned Photographer
Cornell Capa是第一个使用"Concerned Photographer"来描述那些在作品中展现出强大的人道主义力量,并试图以此来改变世界的摄影师的人,此次影展将通过Cornell的拍摄作品、杂志文章以及朋友关系来重新探寻这些先驱的故事,同时亦是ICP向创始人的一次致敬。

America and the Tintype:美国与锡版摄影
锡板摄影术是十九世纪最让人好奇、却未被深入研究的摄影术之一,作为银板摄影术的廉价替代品,锡板摄影术是美国南北战争期间最流行的摄影介质,也因此留下不少具有历史研究价值的作品。此次展览一共将展出150幅ICP收藏的锡板摄影作品。
http://www.leica.org.cn
Living with the Dead: W. Eugene Smith and World War II
此次影展以尤金·史密斯在第二次世界大战期间拍摄的最震撼人性的作品为核心,除了杂志出版的照片翻版外,还包括史密斯自己亲手放大的数张原版作品,例如"海上的葬礼"(1944),"Leyte的医院"(1944),"塞班岛手捧婴儿的士兵"(1944)等。

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2008年9月19日星期五

皇马赢来欧冠杯的首轮胜利!


战胜博里索夫这样弱小的对手,并没有什么值得庆幸的.但还是要祝贺一下皇马的球员,毕竟在转出罗比尼奥以后,在没有更换血液的情况下,皇马依靠上赛季的老旧阵容,依然打出了气势,这是值得肯定的.而范尼,古蒂,拉莫斯还有迪亚拉的表现让人倍感欣慰.

随着国家队员的回归,皇马的后防线出现齐整,右后卫拉莫斯,中卫卡纳瓦罗和海因策,左后卫马赛洛(这小子表现越来越好了,似乎巴西小子打边卫是皇马的专利?卡洛斯,西西尼奥,马赛洛...)中场由范德法特,古蒂,加戈和罗本担当,前锋则是一贯的劳尔加范尼的搭档.

开场后不久,10分钟左右,皇马在前场进攻,禁区前堆满了博里索夫的防守球员,古蒂看到了右侧助攻上来的拉莫斯,巧妙的将球从两名博里索夫后卫中间传递过去,拉莫斯当即一个推射,皮球入网.1:0.打到差不多一半的时候,加戈受伤,接着示意自己坚持不了,被迪亚拉换下.



小天王拉莫斯,惊现黄金脚法!

下半场第57分钟,还是在前场,劳尔接迪亚拉的直塞球,护球直突禁区打门,球被门将扑出弹到博里索夫防守球员身上落下,范尼本能的用腿一撞,将球碰入对方球门.2:0.


老臣范尼,依然那么卖命!

随后的比赛,变成了皇马的围攻.但皇马的毛病开始凸显,围攻得势不得分,打法复杂不见成效.迪亚拉和拉莫斯变得十分积极,左突右撞,不时冷射.即使对方被红牌罚下了一名后卫,即使福将Higuain上场,也拥有一次极佳的破门机会,但都最终没能扩大比分.

劳尔整场表现平平,除了态度积极且帮范尼制造了进球外,没有特别闪光之处.


这样的胜利,还是不能令舒斯特尔满意!

但无论如何,这也是胜利,希望赢球的感觉能不断的延续下去!

2008年9月18日星期四

Leica中文摄影杂志

『Top』值得关注的5本全美最畅销摄影画册

Posted: 16 Sep 2008 07:32 PM CDT

点击在新窗口中浏览此图片PDN近日对过去一年中全美最畅销的50本画册进行了一次简单的回顾,挖掘出一些非常有趣的共性和观点。

去年卖得最好的摄影画册是Alistair Fothergill的《Planet Earth: As You've Never Seen It Before(你所没见到过的地球)》,成功原因自然是BBC和Discovery频道热播的同主题节目"Planet Earch"。除此之外,TOP10名单中亦不乏家喻户晓的名字:Ansel Adams,Edward S. Curtis以及Annie Liebovitz,其中还包括一本Shannon Thomas Perich拍摄的肯尼迪家族肖像册。动物摄影也在过去一年中表现出色,Jill Greenberg的《Monkey Portraits(猴子的肖像)》以及Rachael Hale的《Snog》均大放异彩;在非主流摄影领域,一本有关高尔夫的画册获得了不少高端消费者的青睐,Dian Hanson的《Big Book of Breast(波霸)》亦毫无悬念地登上榜单,剩余的位置则被各种自然、风景画册、历史图片收藏所占据。

点击在新窗口中浏览此图片在这50本画册中,有5本非常值得特别关注,其中两本各自开辟了一个被出版业忽略、但是具有强大需求的读者空间(《I Was Cuba》以及《Wise Women》);由国家地理和Getty共同出版《100 Days In Photogaphys》代表了两大世界上最出色图片库的协作能力;《Hungry Planet》具有极强的时效性和媒体性,描述宠物的《Snog》则堪称去年最适合当作礼物的摄影画册....最后值得一提的是,这5本书的价格都没有超过35美元——价格往往是最后的杀手锏。

『SNOG: A Puppy's Guide to Love 』 排名第2http://www.leica.org.cn
摄影师:Rachael Hale @Little, Brown and Company, 2007
出版格式:精装硬皮,160页,19.99美元
谁也没想到,一本关于小狗的画册能获得如此斐然的成绩,不过,这本画册刚好满足了商业成功最必要的几个要素:打动人的照片,精致的封面设计,便宜的价格以及精准的定位——很多人一次买下数本用来送人。

『I Was Cuba』 排名37http://www.leica.org.cn
摄影师:Kevin Kwan @Chronicle Books, October 2007
出版格式:精装硬皮,304页,24.95美元
除了Kevin Kwan不知疲倦的宣传外,这本书的确对古巴裔美国人产生了极大的吸引力,满足了这个一直被忽略的读者人群。

『100 Days of Photographs』 排名第9
出版格式:精装硬皮,320页,35美元 http://www.leica.org.cn
这本书的照片来自国家地理的图片收藏以及Getty的Hulton图片库,但是这两个机构的名字就足以保证这本书的畅销,除此之外,这本书也引起了媒体们的广泛关注,35美元的定价亦物美价廉。

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『Hungry Planet: What the World Eats 』 排名25
摄影师:Peter Menzel 、 Faith D'Aluisio
出版格式:平装软皮,288页,24.95美元
这本画册的成功在于选取了一个全世界人最具共性的话题——"食物",单是话题本身便已足够引起人们的好奇与关注,再加上诸如时代周刊等媒体的推波助澜,自然获得读者的青睐。

『Wise Women』 排名29
摄影师:Joyce Tenneson @Bulfinch Press, April 2002
出版格式:平装软皮,144页,19.99美元
这本肖像集在2002年的精装版时就曾引起关注的,作为一本以65-100岁女子为主角的画册,吸引人的自然已不仅仅是照片,访谈中人物的故事与思索才是整本书的精髓。

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Adobe Photoshop Lightroom 2 Review by Ken Rockwell



Introduction

Nomenclature


Adobe has four products called "Photoshop."

Photoshop CS3 is the big professional pixel-by-pixel graphics program that's become a household verb since 1990. CS3 comes in several strengths.

Lightroom is more formally called "Adobe Photoshop Lightroom 2." This is what I'm reviewing in this article. Most people just call it "Lightroom."

Photoshop Elements is a basic version of Photoshop CS3 for picture editing. It is quite flexible at a bargain price. I have not used the recent versions, however previous versions have had a very large portion of Photoshop's abilities while being even even easier to use than the full version of Photoshop. The latest versions of Photoshop Elements even do web galleries and Flash galleries.

Photoshop Express is a free online version.

This Review

Cameras are easy to review. Every camera is designed to do pretty much the same thing as every other camera: take pictures. With decades of experience, it's easy for me to use a camera and then speak volumes about its performance for almost every kind of use.

Software is very difficult to review. Every piece of software is designed to do something completely different. Even if two pieces of software are designed for the same purpose, every piece of software will do it differently.

I work in Photoshop CS2 so much all day and night that I actually have had dreams where all I do is work in Photoshop CS2. That's scary, but even I use only a small fraction of CS2's total capabilities.

Everyone has their own way of working their photos. I use iView to sort, organize and pick my photos. If I print them, my JPGs usually go straight to my local Costco's photo kiosk without editing. If I need to edit an image, or simply resize and brand it with my © for this website, I use Photoshop CS2. I use Dreamweaver 8 to put it all together into this website.

Because you all want to know what I think of Lightroom, I got a copy to evaluate. There is no way I could spend months working in it all day, every day to cover every possible nuance.

If you're already a Lightroom 2 expert, there isn't much I'll be able to tell you that you don't already know. I have used it enough to let you know what I think of it overall, and as compared to other software. That's the point of this review.

Lightroom 2

Personally, I haven't used use Lightroom much, but half of my friends use it a lot, and every single one who uses Lightroom loves it. (I explain my workflow in detail if you care.)

Unlike most products, which do a little customer research and then hide out for 18 months blindly developing what some guy in a big company thought we wanted, Lightroom has been developed with constant, continuing and intense feedback from all users via Adobe's beta system.

This is why I don't need to spend much time trying to comment on how I like the program. Unlike most products in this world, Lightroom is an amalgam of what we all wanted. This is why photographers love it so much.

Lightroom 2 just works. It installed instantly, and everything is just obvious to figure out. I never had to resort to any help or training; I just fiddled around and it worked.



The Sync Button.

The biggest reason I hear photographers love Lightroom is because it's trivial to apply the same correction, regardless of how complex it may be, to as many other images as you like. If you want to lighten and change the WB on 100 images after you set the first one, just hit "Sync" and it applies the same correction to them all. Make a mistake or want to tweak the tweak? No problem, just do it: none of the changes are permanent.

Lightroom isn't just a sorting program. Lightroom is about five different programs all rolled into one, all of which work extremely well together.

From what I can see, Lightroom 2 is the world's first single piece of software that could be the only piece of photo software a moderately serious photographer might ever need.

Library

Lightroom sorts. That's the Library part. Personally, I prefer iView for this, but that's just me.

Develop

Lightroom edits and optimizes. That's the Develop part. I use Photoshop CS2 for this, which can do more, but is a lot more difficult to use.

The biggest single addition in Lightroom 2, that finally makes it a program for real photographers, is that it can do localized burning, dodging and corrections.

Lightroom 1 was only a kid's program since it couldn't do any localized corrections. The ability to alter different parts of an image has been the most critical part of being a photographer since the 1800s.

Slideshow

Lightroom does slideshows, the Slideshow part.

Print

Lightroom optimizes for printing, and can create multiple images on pages. That's the Print part. I don't use this.

Web

Lightroom not only can make web galleries, it can upload these pages via FTP all by itself! You don't need any other program for uploading.

Just enter your own web server information, or you can publish directly from Lightroom 2 to your SmugMug, Picassa, Flickr and other accounts.

Lightroom can make HTML galleries, which are the same type I do by hand the hard way in Dreamweaver 8, as well as make spiffy Flash (animated) galleries.

Lightroom is loaded with nice graphics, much nicer than the galleries I do manually for myself.

Lightroom 1

I tried Lightroom 1.0 back in 2007. It was still klunky, at least in the early version I tried, and I never got too excited about it.

Lightroom 2 is a huge improvement over Lightroom 1. Not only does everything just work better in Lightroom 2, the lack of localized editing made Lightroom 1 no more than a toy.

Installation

Lightroom 2.0 is easy to install and start using.

After the super-easy installation, it was easy to type in my serial number and just go.

I wish all software was this easy. I doubt that I had to spend as much as 60 seconds to get it loaded, installed, up and running.

Lightroom is an efficient program. The whole package only needs about 80 MB of hard disk space. 80 MB is the size of a few RAW files. Heck, to you people who still use bloated software which measure hard disc wastage in gigabytes, 80 MB is only 0.08 GB!

You can install Lightroom and not even notice any loss of hard drive space, even on a computer way too old to run it. Thank you, Adobe!

Operation

Lightroom is a dynamic program, meaning everything is calculated on the fly as you work.

The advantage is that you never have to hit Reload to see what you've got or what you're doing, but the disadvantage is that it uses a lot of computing power just to scroll the screen or look at images at 100%.

I have a suspicion that I'm overly sensitive to this, but my biggest complaint is that images and thumbnails always take a moment to pop in. If you scroll the Library view, it can take a second to redraw the thumbnails sharply. This drives me up a wall, and is one reason I would not use Lightroom for myself, but I've never heard anyone else complain. By comparison, a program like iView which generates catalogs, takes a while to catalog the first time, but runs instantly every time after that.

If you want to sort through images faster at 100%, go to LIBRARY > PREVIEWS and select RENDER 1:1 Images. This way Lightroom will render these in advance, which is especially helpful for sorting through raw images. Otherwise, it takes a moment to load each image as you're trying to flick through them at 100%. Pre-rendering these at 1:1 makes your Lightroom library, saved in your Pictures/Lightroom folder on Mac, much larger, and also takes a while to crunch on all the images.

After I did all this, it still could take a moment to draw each image at 100%, but at least raw files didn't take any more time than JPGs.

Selecting

Most programs, just like LIghtroom, allow you to select between showing all your thumbnails, or just one big image on screen.

Lightroom also has a 2-up feature where you can see before and after (adjustments), or compare a "picked" image to others you might prefer.



Lightroom has a very flexible feature, called "Survey View," that allows us to show any number of images at the same time, all made to fit the screen.

We can select 10 "maybes" (CMD+Click on each one to select while in Grid View), and show them by hitting the Survey View button. All 10 then show on-screen. As we dump the weak ones (CMD+Click to remove them from the selection), the survivors grow to fill the remaining space on screen. Press "P" to mark them as a pick.

Photo Editing: The Develop Pane

This is where the fun happens. I'm particularly impressed that Lightroom seems to do the best job of any software I've used, including Photoshop CS2, when it comes to how well the sliders do what we need them to do.

Sliders like Exposure, Saturation, WB and Fill Light just give great results, without all the fiddling needed with curves in Photoshop CS2. These sliders are decades beyond Photoshop's primitive Lighten and Darken controls from the 1990s, or what conjures up easily with Photoshop CS' Curves.

Even working in Photoshop CS2 all day, I see myself using Lightroom 2 just for these superb adjustment tools. (Note: I'm still on old CS2. Lightroom is designed to integrate directly with CS3, and will work even better along with it.)

These exposure and WB adjustments work the same in JPG and raw. It's only been an old-wives tale that JPGs don't allow for the same corrections as raw.

Presets

If you find you have a favorite set (or sets) of adjustments (Develop settings), you can save and recall these as Presets.

Whacky Mouse Tricks



See the little doorbell with little triangles on top and bottom? Select an adjustment, click the magic mouse icon, and when you put the mouse over the image and click, moving the mouse up and down will change that adjustment for the image!

Easy Localized Adjustments!

One of the most basic and critical things I do all the time in Photoshop CS2 is to use adjustment layer masks for burning and dodging. These are critical to even the most basic photographic expression. Photographers have been doing this since the 1800s, but sadly, it's very complicated to do properly in Photoshop CS2 or other software.

Most photos benefit greatly by darkening the corners and lightening the center of attention. This puts the viewer's eye where it needs to go.

The photo below looks normal. You first see the kid's snarled face, a moment later notice that he's eating, and then notice the food tray. This is how the photo is supposed to read.

I had to lighten his face so your eye went there first. I also darkened the rest to be less distracting. Roll your mouse over to see how it looked before it was burned and dodged. THe out-of-camera original looks horrible by comparison.

This "horrible" is the result you'll get from any and every software that cannot make local adjustments. This creative use of lightening and darkening different parts of an image is what makes Ansel Adams immortal.



Baby Ryan in a speed-eating contest. Roll mouse over to see as shot.

It's easy in Lightroom 2. Hit the button with the dot around it, and draw on your image. You'll see the diameter of the "brush" with which you're drawing on your image, and at default, it will lighten the areas over which you draw.

This mask box is where you set what happens as you paint with the mouse, and where you set the size of the brush.



You can go back and edit the areas affected later (use the Erase option), and you can change the amount of adjustment (just change the sliders).

Lightroom 2 has also made selections much easier. Use the Auto Mask option to try it.

Grad Filters

To the left of the Local Adjustments control is a grad filter control.

Grad, or graduated, filters allow you to darken or lighten tops or bottoms of images.

The grad filters are very flexible.

Grad filters are usually used to darken skies.

XMP Data: Save your JPGs unchanged with encoded, non-destructive edit data

The changes you've made to an image, even in JPG, can be saved as XMP data as part of the file.

JPG, TIFF and many formats (except raw) have the native ability to store XMP information along with the image.

When read by normal software, you get your unedited image.

When read by the program with which you made the non-destructive edits, like Lightroom, that software will apply your edits and allow you to alter them further.

In other words, you can save your files to outside of Lightroom, and if you bring them back in later, will be right where you left off.

Raw Profiles

Raw images are rendered without regard to how your camera was set.

I like to shoot with my camera's saturation cranked. This means that the raw versions of these images look dull in Lightroom, since Lightroom ignores what I set in-camera.

If you prefer raw images to look more like what you set in-camera, Adobe offers some canned raw profiles which will simulate what you had in-camera. They won't read every little setting you may have dialed-in in your Nikon Picture Controls or Canon Picture Styles, but they will get you in the ballpark for presets like PORTRAIT, VIVID and NEUTRAL.

You can find these at Adobe Labs.

Likewise, some more advanced users may like to create a raw profile of their own to apply to each raw image. Look for the Raw Profile Editor at Adobe Labs.

Complaints

Lightroom works great. My issues below are largely irrelevant to you, because they are simply how I'd prefer Lightroom to be designed, as opposed to how Adobe took feedback from zillions of real users to give us all what we really want.

I prefer, and am used to, using iView to sort through my images.

I prefer iView because I can have the grid display show me exactly what I do (or don't) want to see about an image's EXIF, and because I can maximize the amount of space used for thumbnails and minimize the screen space wasted as borders around images. I can fill the screen with zero borders if I want. I can get more and larger thumbnails on screen with iView compared to Lightroom's Library pane, which means I can see more images better and faster in grid view, which helps me sort through thousands of images faster. To me, time really is money when it comes to sorting.

Likewise, in iView not only do I have complete control over a zillion aspects of how the Library pane is displayed (and with what data), I can save each of these display settings and recall them instantly depending on what I'm sorting. Lightroom just doesn't have this flexibility.

Lightroom takes too long to redraw the screen as I scroll in the Library pane. I have zero tolerance for anything that slows down zipping through my files. I expect my computers to show me my images, not to be fuzzy for a moment while the software figures it out. Those lost moments, multiplied by hundreds of times a day, cost me money. I'm on a quadruple-processor 2.5 GHz G5 Mac with 4.5 GB of RAM, and iView is faster for scrolling though grid (Library) views on my 800 MHz laptop than Lightroom is on my quad G5.

My cameras shoot video and audio files. iView deals with all these files, while Lightroom ignores my videos, and ignores my audio notes. Audio notes are important; that's why pro cameras record them. Lightroom can't handle them.

So what? I use a different tool than Lightroom for sorting. It's very important to me, but I'm not you.

CMD+W not only closes Lightroom on Mac, it quits it!



Recommendations back to top

For photo editing, I've been a full Photoshop user since the mid-1990s. Now, with Lightroom 2's ability to do local corrections, it's probably all that even serious photographers need. For most photographers, Lightroom 2 is probably better then Photoshop CS3 because most photographers are more likely to be able to figure out the adjustments in LIghtroom 2.

As a web designer, I'm sticking to the graphic abilities in full Photoshop, mostly because I already know how to do them in my sleep. For normal people who will probably never be comfortable with Photoshop CS3's adjustment layer masks, required for even basic proper burning and dodging in Photoshop, Lightroom is superior because normal people will be able to figure it out.

I have a lot of specialized editing needs (remember I run a website, too), and even dream in Photoshop CS2. I have no reason to change my workflow because a new tool comes out.

For most normal people, yes, get Lightroom 2! It's a lot more than just an editing and sorting tool.

I do this for a living. I'm shooting or, in my computer, all day, every day, so I get whatever tools I need to let me get the job done as fast as possible.

For me, iView is the best way to lay out sort and select what I shot.

For normal people, Lightroom 2 can replace a host of more expensive programs that most people will never figure out.



PLUG

I support my growing family through this website.

If you find this as helpful as a book you might have had to buy or a workshop you may have had to take, feel free to help me continue helping everyone.

If you've gotten your gear through one of my links or helped otherwise, you're family. It's great people like you who allow me to keep adding to this site full-time. Thanks!

If you haven't helped yet, please do, and consider helping me with a gift of $5.00.

The biggest help is to use these links to Adorama, Amazon, B&H, Ritz, and J&R when you get your goodies. It costs you nothing and is a huge help to me. These places have the best prices and service, which is why I've used them since before this website existed. I recommend them all personally.

Thanks for reading!

nVidia settings to speed the LR Brush tool on XP

by Sean McCormack

It seems that nVidia users seem to draw the short straw with Lightroom. When Version 1 was released, it took a while to find out that certain performance issues were due to the use of nView. Now with Version 2 it seems there are different performance issues with nVidia.

However Flickr user MarkW Photo has found settings that greatly aid in the speed of the brush tool for Lightroom 2 nVidia users.

“I have finally fixed my slow performance issues with LR2! Today I did a bit of playing around with different performance settings. I’m using LR2 on a HP Pavillion 6258se Laptop. It has an 80GB Hard Drive, 2GB of Ram and the processor is a 1.8 GHz AMD Turion ™ 64 X2 Dual-Core. I had Windows Vista installed months ago but I downgraded back to XP due to Vista issues. First I opened the windows task manager so I could monitor the performance of Windows while using LR2. I noticed when using the develop tasks the performance stayed around 50%. When I used the retouch brush tools the performance still stayed around 50% but the brush tools were still slow. The more I brushed on the image the slower the brush refresh became. This told me that there must be a video performance issue and not necessarily a processor problem.


Here’s how I fixed the problem.

1. I right clicked on the desktop and clicked NVidia Display/Laptop
Dispay.

2. Clicked on the Performance and Quality Settings

3. Under Active profile Click Global Driver Settings.

4. Under Global driver Setting click in the dropdown view advanced settings.

Changed the following settings:

Images setting = High Performance
Force mipmaps = None
Trilinear Optimization = Off
Anisotropic mip filter optimization = Off
Anisotropic sample optimization = Off
Triple Buffer = Off

Without even restarting LR2, the brush tools worked with no lag or delay no matter how much I brushed on the image! They were just as fast as using the sliders in the develop module!

I hope this works other Nvidia users having similar issues!!

Mark “

Mark also mentions seeing an increase in the speed of Large Preview rendering.

As with all settings, your mileage may vary. Remember to note your original settings if you feel the need to go back.


2008年9月17日星期三

联赛第二轮,皇马主场4:3胜努曼西亚




开场皇马先失球,0:1落后,后由范尼前场禁区前回敲古蒂,古蒂直接大力推射,将比分扳平.不久,努曼西亚再下一城.但范尼又一次助攻伊瓜因,禁区内射门得分,2:2.接下来,皇马几乎控制了比赛,首场联赛被红牌禁赛的范德法特立功,在左前场接到范尼漏掉的球,直接侧身打门,小角度入网.随后,皇马前场角球机会,佩佩争顶,努曼西亚后卫判断失误,送给皇马一记乌龙球.上半场锁定比分为4:2.   

下半场,皇马打得比较松懈,努曼西亚反击射入一球.皇马随后陆续换上劳尔,德伦特,德拉雷德,比分保持到终场.      

这场比赛很危险.后防线是萨尔加多,佩佩,梅策尔德和马赛诺.拉莫斯和卡纳瓦罗的缺阵使后卫失误频频.但以荷兰人为主的前场依靠强大的进攻挽回了一点颜面.范尼没有进球,但却灵巧的做出两次助攻,范德法特发挥出色,策划了一个进球,并射进一个进球.古蒂除了进球,还有一两次致命的直塞球可惜前锋没有把握住机会.伊瓜因作为代替劳尔首发的前锋,发挥出不错的状态,如果更冷静的话,他曾有机会打空门梅开二度,还有一次单刀球错失帽子良机.罗本被盯死,但他的大范围活动令前场进攻得到空间.现在看来,罗比尼奥骑车走人,对皇马并非是坏事,伊瓜因和萨维奥拉将会得到更大的发挥空间,而巴西帮的华丽打法,转变为荷兰帮的实用战术,也未必会减弱皇马球风的观赏性.      
下次一定要注意防守对手的反击,虽然努曼西亚曾经战胜了巴萨,但在主场被他们灌进三个球,还是让皇马球迷不太愉快.希望这一切在拉莫斯,卡纳瓦罗和海因策回归后会处理得更好一点.

今天晚上,确切说是明天凌晨.皇马将出现在欧冠赛的首轮上,主场迎战弱旅博里索尔,希望皇马能有好的表现,不会辜负球迷的期待!

Leica中文摄影杂志

『玛格南摄影师画册』久保田博二的《日本》

Posted: 15 Sep 2008 06:31 PM CDT

点击在新窗口中浏览此图片"我喜欢美的事物,在我看来,摄影应该是一种对美的传递,让照片拥有升华心灵的力量。" —— 久保田博二 (Hiroji Kubota)

http://leica.org.cn/tag.php?tag=%E7%8E%9B%E6%A0%BC%E5%8D%97%E6%91%84%E5%BD%B1%E5%B8%88

久保田博二 (Hiroji Kubota)是玛格南唯一的一名日本摄影师,毕业于东京大学政治系,1961年玛格南成员访日期间结识了Rene BurriBurt Glinn以及Elliott Erwitt等当时玛社的主要摄影师。1962年,久保田博二因工作关系调到芝加哥 ,并在1965年正式成为一名自由摄影师。

久保田博二的第一份拍摄任务是为英国时代报拍摄Jackson Pollock(美国抽象表现主义代表画家)的墓碑,1968年,他重返日本,两年后,作品终于获得日本摄影界的认可,并被讲谈社授予当年的出版文化奖(Publishing Culture Award)。1971年,久保田博二加入玛格南图片社。

久保田博二在1975拍摄了西贡陷落的整个过程,并重新将关注点回归到亚洲地区。为了拍摄中国,他经过数年的努力才获得官方准许,1979至1984年,久保田博二在中国的拍摄旅途长达1000天,积累下超过20万照片,最终在1985年完成了当时最出色的一本记录中国的摄影画册——《China》。

点击在新窗口中浏览此图片久保田博二拍摄过绝大多数亚洲的国家,尤其是中国、日本以及朝鲜,并分别以这三个国家为主题出版过摄影画册,如果说《中国》(1985年)是他尚在摸索的第一个摄影阶段,2004年才出版的《日本》才真正成熟地体现了他个人对摄影的理解,少了视角的冲击与猎奇,却多了对人本身的关注,透出一种宁静、平和的美感。

关于『Japan(日本)』
久保田博二 (Hiroji Kubota)花费了四年时间来探访日本的各个岛屿与小镇,尝试用镜头来记录那些尚未被现代化所侵蚀的传统文化与艺术,展现时代变迁中平凡而不平凡的瞬间。

格式:硬皮精装画册
页数:227
尺寸:11 3/4 x 12 1/4"
出版商:W.W. Norton & Company (New York/London, 2004)

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『新相机』Leica M8.2与D-lux4登场

Posted: 15 Sep 2008 06:28 PM CDT

点击在新窗口中浏览此图片Leica终于再一次让所有用户失望,在新镜头价格远高于价值的同时,M8全幅亦成为泡影,推出一款所谓的"升级版"M8 —— M8.2

Leica M8.2相对于M8的改进包括:

1.新的金属焦平面快门,为减小快门声,最高速快门从1/8000s改为1/4000s
2.防划伤LCD蓝宝石玻璃
3.新随拍模式 —— 专为"对摄影一无所知"的用户设计
4.改进快门/光圈调节模式
5.耐磨硬橡胶饰皮
6.便携式充电器,能在一个半小时内充满80%电力
7.黑色版M8采用黑色Leica Logo标

除了M8.2外,D-lux系列也有了更新 —— Leica D-lux4,规格上与松下LX3无异,只是外形依然延续了简洁风格,采用1/1.63英寸1000万像素CCD,等效24-60mm的镜头(LEICA DC VARIO-SUMMICRON 5.1-12.8 mm f/2.0- 2.8 ASPH)。

这两款新机型将在10月上市。

Leica M8.2详细规格』
1030万像素, 18×27mm(APSH尺寸)感应器
1.33倍焦段转换
低噪点影像感应器
采用DNG RAW及JPEG档案格式
快门速度为32s - 1/4000s,支援B门( M8为1/8000s)
最高感光度 ISO2500
支持M手动模式、光圈优先模式,
闪灯快门同步为1/250s, 支援TTL的局部测光
机背的LCD为2.5英寸, 23万像素(跟M8相同)
支持SD / SDHC卡
大小138.6×36.9×80.2mm
重量545g

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